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AZ
Drum and Dance -
Traditional West African Drum Class
(Rhythms of the Mandeng)
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Photos
by Paul Luehrmann
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May block
for Level I and Level II classes starts 5/2
| Level
I: |
Moribayassa
This
is an old rhythm which plays a important and unusual role
in the life of a woman. If a woman has a major problem or
crisis in her life (i.e. illness or childlessness) - and
she has unsuccesfully tried all possible means to resolve
this problem - she wil make a vow. "If this problem
will go away, I will dance the Moribayassa. It can sometimes
take many years, but if the woman finally considers the
problem solved, she will remember her vow and will dance
the Moribayassa. For the dance she will dress in a way she
would usually never do, she will wear old and worn cloths,
she will act like a crazy person. This way she circles 3
or 7 times around the village. Musicians and other women
follow her. After that she will change her cloths and will
burry the old rags under a mango tree.
Moribayassa
is in 4/4 time signature. We will learn all Dunun and Djembe
parts.
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| Level
II: |
Soli
rapide
This
is a rhythm which belongs to the group of Soli rhythms which
are played in the 3 months prior to the initiation of boys
and girls as well as during the ceremony itself. Soli lent
and Soli rapide are played back to back.Soli lent is the
slow part which gives opportunity for the elder people to
dance. Eventually the rhythm will make the transition into
Soli rapid, which is very fast and has a 6/8 time signature.
In this class we will focus on Soli rapide.
We will
focus on Sangba and Dunun variations and the solo origineaux.
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To
sign in email Lorin@AZDrumAndDance.org
or call (480) 251 5351
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Times
and locations:
| Level
I |
Friday
nights
6:30 pm - 8:00 pm |
Flamenco!
... the Studio,
524 W Broadway Rd, Suite 108, Tempe (map
it!)
Cost: $12 per class
Students can drop in with instructor's approval.
Prerequisites (see below).
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| Level
II |
Friday
nights
8:00 pm - 9:30 pm |
Flamenco!
... the Studio,
524 W Broadway Rd, Suite 108, Tempe (map
it!)
Cost: $12 per class
Students can drop in with instructor's approval.
Prerequisites (see below). |
| Level
III |
tbd. |
Attendance
by invitation only.
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Students
that are signed in for Level I and Level II pay $20 for
both sessions.
If
you have no drum let us know, we have extras. Although we recommend
that you get your own Djembe once you are commited to keep learning
(... and practicing :-).
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Join
us to learn and play the indigenous music of the Djembe:
The
djembe and the music played with it has its origin with the Malinke
people (or Maninka) people of the Mandeng Empire located in West
Africa. Today this is mainly Mali, Guinea and Ivory Coast. Drumming
was never intended to be an art form. It was and is an integral
part of the way of life. Their music is complex, not familiar to
Westerners, but the polyrhythms and the swing used in this music
is the foundation of todays Jazz and Latin music.

The
Djembe drum has become increasingly popular outside of Africa and
worldwide since the 70s. More people are becoming familiar with
it through performance or have participated in instructional jam
sessions.
However,
there is more to the music of the Djembe.
AZDrumAndDance
provides the opportunity to learn how to play the complex rhythms
and experience it's cultural origins.
The
classes are organized in 1 month blocks. This way, the students can
have a continuous learning and improvement without having to revisit
the previously learned material every week because of fluctuating attendance.
In order to
account for the different skill levels, we have 3 levels of classes.
The classes are taught by Bernd Geh with the assistance
of selected AZD&D level 3 students.
What
level am I ????
Below you
will find the AZDrumAndDance definition of the different levels. This
will help you understand in which level you belong and the teaching
objectives of each class. If you want to learn Malinke music you will
realize, that your learning process will go through different phases
which we try to account for in the different levels.
| Level
I |
The
learning phase of a level I drummer can be described as the "pattern
acquisition and motor skill phase". You spend most of
your energy in learning the drum patterns and working on your
motor skills. Level I drummers usually don't understand and hear
the other parts of the rhythm while playing their own parts. In
order to learn a djembe or dunun part you will need hours and
very often the pattern will be gone once you stop playing for
a while or have played another part. While you are a level I drummer,
you are also beginning to learn a clear differentiation between
the different sounds on the Djembe (slap, tone, bass)
The
level 1 class focuses on rhythms with what would be called a 4/4
metric. Among the Malinke rhythms those are the least difficult
to learn. In a teaching block each student will learn all the
djembe accompaniments and all the dunun accompaniments. At the
end of a session, the class will be able to play all parts of
the rhythm as an ensemble.
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| Level
II |
A
level 2 drummer already knows the basic accompaniments of 4/4
and 6/8 rhythms. Slaps and tones are no major obstacles anymore.
The motor skills of playing bell and sticks on a dunun are developed.
The learning phase of a level II drummer can be described as the
"play and listen phase". You will slowly start
to hear the other accompaniment parts of the rhythm, while you
play your own part. You will start to understand your accompaniment
in the context of the entire rhythm.
The
level II class focuses on more complex rhythms including dunun
variations and solo phrases. We will also learn echauffements.
In level II class, we will also start to explore the "microtiming"
of this music - slight syncopations which make this music sound
so interesting and spicy.
A
year or more of level I instruction (or the approval of the instructor)
is required for level II class.
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| Level
III |
A
level III drummer has typically been learning for 3-4 years on
a continual basis. You are a level III drummer, when you don't
need more than 5 minutes to learn and play any new pattern. In
this phase you are not collecting patterns anymore, you focus
on the music. As a level III player, you will be able to play
difficult off-beat figures and won't be "sucked" onto
the beat anymore. You can clearly hear all the other accompaniments
and don't get confused by them. The phase of learning can be described
as the "groove and energy phase".
The
level III class focuses on the groove of the music. We will use
the microtiming to make the rhythms sound energetic. We will also
work on speed and will understand how the swing of this music
changes with speed. Echauffements, breaks and solo phrases will
be a considerable part of the learning.
Attendance
in level III classes is by invitation only.
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| Bernd
Geh has been continuously teaching West African drumming since
2001 in the Phoenix area. Bernd is originally from Germany. His
major and most influential teacher is Herman
Kathan, who is a professional musician and certified Mamady
Keita instructor. Bernd also learned from numerous african masters
and teachers, such as Mamady
Keita, Famodou
Konate, Adama
Drame, Amadou Kienou,
Moussa
Traore, Abdoul
Doumbia and Bolokada
Conde, Bernd is a physicist by education, his passion for
West African music provides a healthy balance with his professional
life and is a wonderful complement to science: African music combines
aspects of science and metaphysics. The structure of this music
has an unintended -but yet brilliant - logic with analogies to
geometry or the complex but perfectly regular structure of crystals.
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However, drumming
- and especially drumming for dancers - can put you in a mind state
that is beyond the scope of physics. Both aspects are major driving
forces for him to continue the never-ending path of being a learner
combined with the joy of teaching this wonderful music.
Bernd and his
wife Lorin are the founders of AZDrumAndDance.
If
you have any questions, please call Lorin at 480-251-5351 or send email
to Lorin@AzDrumAndDance.org.
See
photographs of the Friday night class performing:
- Recital at Domba
Studio in Dec. 2004
-
Recital at
Domba Studio in Dec. 2003
- Domba Studio
1st anniversary celebration, Sept. 2003
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